Every once in a while, a product shows up that feels completely outside the typical “big brand” headphone cycle. No influencer gloss, no corporate polish, no dramatic marketing promise to “redefine audio forever.” Just something honest, handcrafted, and clearly made by people who genuinely love the hobby.
The head(amame) Pro fits squarely into that category.
These are Hi-Fi glass-driver headphones tuned by Capra Audio and designed by the head(amame) founder himself—two audio enthusiasts who originally connected after a YouTube video sparked a bit of community drama. What followed is now a full-fledged collaboration built on a shared mission to prove that 3D-printed headphones can absolutely compete with commercial Hi-Fi gear.

The head(amame) Pro stands out not because it tries to be disruptive, but because it approaches headphone design with priorities many brands have long forgotten: durability, repairability, and long-term ownership.
Glass isn’t a material usually associated with headphone drivers. The industry is dominated by metals, polymers, and specialized blends—each with its own marketing narrative. The head(amame) Pro takes a different approach: glass offers rigidity, stability, and reduced flexing, helping eliminate the breakup modes that color a driver’s sound.
When engineered correctly, glass drivers deliver impressively clean high frequencies without harshness, combined with a solid, punchy low end. The goal isn’t mystique—it’s simply better behavior under motion, and tuning that aims for clarity with satisfying bass presence.

At under 280g, the head(amame) Pro is lighter than many premium over-ear headphones. The comfort advantage is reinforced by thoughtful design choices:
It’s the kind of headphone built for long listening without fatigue.
One of the standout philosophies here is repairability.

While most modern headphones are sealed shut, the head(amame) Pro embraces a modular, user-serviceable approach:
In an era of disposable electronics, this is refreshingly future-proof.
The head(amame) Pro is built to be accessible, playing nicely with:
Its included 1.5m braided cable (mini-XLR to 3.5mm) adds durability and easy replaceability without locking users into proprietary solutions.
Inspired by classic Altec horn speakers, the aesthetic leans into an open, retro-futuristic look with visible mechanics and a lightweight, airy silhouette. It’s not designed to blend in; it’s designed to look like a passion project crafted by audio enthusiasts, not by a marketing team.
The parts for head(amame) Pro are produced by Pantheon Designs using their HS-Pro 3D printer, known for extreme precision thanks to:
The ASA-Kevlar chassis is lightweight, rigid, and significantly more durable than typical 3D-printed parts—clear evidence of intentional engineering, not cost-cutting.
The origin story is refreshingly grassroots: a YouTube video, a DIY headphone kit, a misrepresentation that sparked a conversation, and a meetup at CanJam 2024. What emerged was a shared belief that 3D-printed audio gear can be genuinely high-end—and a desire to prove it without the influence of committees, shareholders, or mass-market trends.
The head(amame) Pro isn’t trying to be the flashiest headphone of the year. It isn’t built for hype, celebrity endorsements, or lofty promises. Instead, it aims to provide:
It’s not positioned to replace flagship $2,000 headphones—and it doesn’t need to. Its real value lies in offering a thoughtfully engineered, accessible entry point into enthusiast-grade audio, with a design philosophy built around longevity and honesty.
In a market crowded with disposable gear, the head(amame) Pro feels like a meaningful, much-needed alternative.
Madhurima Nag is the Head of Content at Gadget Flow. She side-hustles as a parenting and STEM influencer and loves to voice her opinion on product marketing, innovation and gadgets (of course!) in general.