Classically trained Austrian singer JJ won the 69th Eurovision Song Contest with Wasted Love, a song that combines operatic, multi-octave vocals with a techno twist.
Israel’s Yuval Raphael came second at an exuberant celebration of music and unity that was shadowed by the Gaza war and ruffled by discord over Israel’s participation.
JJ, whose full name is Johannes Pietsch, was Austria’s first winner since bearded drag queen Conchita Wurst in 2014. JJ, who sings as a countertenor with the Vienna State Opera, has called Wurst a mentor. It was Austria’s third victory overall in Eurovision.
“This is beyond my wildest dreams. It’s crazy,” said the singer after being handed the microphone-shaped glass Eurovision trophy.
JJ won after a nail-biting final in which Raphael scooped up a massive public vote from her many fans for her anthemic New Day Will Rise. But she also faced protests from pro-Palestinian demonstrators calling for Israel to be kicked out of the contest over its conduct of the war against Hamas in Gaza.
Estonia’s Tommy Cash came third with Espresso Macchiato, and Swedish entry KAJ, who had been favourite to win with jaunty sauna ode Bara Bada Bastu, came fourth.
Eclectic and sometimes baffling
The world’s largest live music event reached its glitter-drenched conclusion with a grand final in Basel, Switzerland that offered pounding electropop, quirky rock and outrageous divas.
Acts from 26 countries — trimmed from 37 entrants through two elimination semifinals — performed to some 160 million viewers for the continent’s pop crown. No smoke machine, jet of flame or dizzying light display was spared by musicians who had three minutes to win over millions of viewers who, along with national juries of music professionals, pick the winner.
The show offered a celebration of Europe’s eclectic, and sometimes baffling, musical tastes. Lithuanian band Katarsis delivered grunge rock, while Ukraine’s Ziferblat channelled prog rock and the UK’s Remember Monday offered country pop.
Italy’s Lucio Corsi evoked 1970s glam rock, while Icelandic duo VAEB rapped about rowing and Latvia’s six-woman Tautumeitas offered gorgeous, intertwined harmonies.
There were divas aplenty, including Spain’s Melody, Poland’s Justyna Steczkowska, participating in Eurovision for a second time after a 30-year gap, with GAJA, and Malta’s outrageous Miriana Conte, who performed Serving – a song whose previous suggestive title and lyrics were changed on the orders of contest organisers – on a set including a glitter ball and giant lips.
Dean Vuletic, an expert on the history of Eurovision, said the competition has become more diverse over the years, both musically and linguistically. There are songs in 20 languages this year, including Ukrainian, Icelandic, Albanian, Latvian and Maltese.
“In the past, it was about having a catchy, innocuous pop song, usually in English,” he said. But “in recent years the formulaic approach to a Eurovision entry hasn’t succeeded.
“An entry needs to be memorable, and it needs to be authentic in order to succeed these days.”
This year’s contest was roiled for a second year by disputes over Israel’s participation. Dozens of former participants, including Switzerland’s Nemo, unsuccessfully called for Israel to be excluded, and several of the broadcasters that fund Eurovision sought a review of the country’s participation.
Eurovision director Martin Green told reporters that the organisers’ goal was to “re-establish a sense of unity, calm and togetherness this year in a difficult world.”
“All 37 delegations, in difficult times, have behaved impeccably,” he said.
